Welcome to my new series on Georgian food and cooking. Each week I'm going to be featuring a recipe or a bit of food history from one of three books: The Art of Cookery Made Plain and Easy by Hannah Glasse (the 18th-century's Delia Smith), Benjamin Franklin Book of Recipes(edited by Hilaire Dubourcq) and Lobscouse and Spotted Dog(a gastronomic companion to the novels of Patrick O'Brian by Anne Chotzinoff Grossman and Lisa Grossman Thomas). In some cases (if I'm feeling brave enough) I may even try to make the recipes myself (you can already check out my attempt to make French Flummery here).
So to kick off, I give you this recipe for Stuffed Liberty Turnips. In Benjamin Franklin Book of RecipesHilaire Dubourcq has cleverly adapted recipes from the period and combined them with anecdotes about Franklin's life; this one accompanies an entertaining description of a gala, held by Benjamin Franklin at his home, to celebrate the third anniversary of the Declaration of Independence.
Stuffed Liberty Turnips
8 young turnips
Half a cup diced bacon
Half a cup chopped chives
1 tablespoon butter
2 tablespoons lemon juice
1 cup beef stock
Half a cup dry sherry
Half a cup breadcrumbs
1 teaspoon white pepper
3 teaspoons salt
Method: Hollow out the turnips and cook them in boiling water for 10 minutes. Rinse under cold water, dry with a towel and sprinkle with 2 teaspoons of salt. Fry the flesh in butter and purée in a food processor. Fry the diced bacon in butter until crispy and blend in the purée with the chopped chives. Pour in the lemon juice and the dry sherry. Mix and season with white pepper and salt. Fill the turnip shells with the purée and arrange them in a well-buttered gratin dish. Pour in the beef stock and coat the turnips with the breadcrumbs. Place the dish in a 400 degree f (gas mark 6) oven and cook for 25 minutes.
And just in case that's not enough turnip for you, here's Hannah Glasse'srecipe for Turnip wine:
Take a good many turnips, pare, slice, and put them in a cyder-press, and press out all the juice very well. To every gallon of juice have three pounds of lump-sugar, have a vessel ready, just big enough to hold the juice, put your sugar into the vessel, and also to every gallon of juice half a pint of brandy. Pour in the juice, and lay something over the bung for a week to see if it works. If it does, you must not bung it down till it has done working; then stop it close for three months, and draw it off in another vessel. When it is fine, bottle it off.
'In the days of Voltaire and Franklin, many of the vegetables that we know today were available, for example cabbages, turnips, carrots, parsnips and onions... Tomatoes were first discovered as a weed in the maize fields of the New World and were not eaten in Europe until the late 18th century and then only when cooked. The first tomatoes to be brought to Europe were yellow, hence the Italian name pomodoro [golden apple]. Later the Jesuits sailed back from the Americas with red tomatoes. In America it was Thomas Jefferson who first started to cultivate tomatoes in his garden at Monticello. By the end of the 19th century people in Europe finally started to eat raw tomatoes as well. Raw fruit was finally acknowledged by the medical world to be a safe and healthy food; hitherto it was believed to cause colic and spread the plague.'
So, I promised a post on Benjamin Franklin's house, and here it is. I was very excited about this house, situated in a narrow street close to Charing Cross Station, because, amazingly, it's the only surviving Franklin residence (he rented it, rather than owned it, but said he'd spent some of the happiest years of his life there). Between 1757 and 1775 he shared it with his widowed landlady, Margaret Stevenson, and her daughter Polly.
In 1913, there were red faces at the London Council Housing Division when they discovered they'd mounted Franklin's wall plaque on the wrong house in Craven Street; the correct one was two doors up from Craven Lane - now Craven Passage - and the plaque was moved from no.7 to no.36 (see above and below for pix of our approach).
In many ways this was the opposite of our experience at The Foundling Museum because there is really nothing left from the period except the house itself (built circa 1730 - and even then, the building was remodelled slightly in the Regency period). The guide told us it was the Empire Hotel in the 19th century, then became derelict, narrowly escaping destruction during World War II when a bomb fell into the back courtyard. Luckily it failed to explode.
As you can see, the interior has been beautifully restored (above is the central staircase on which Franklin was supposed to have done his daily exercises). Yet because there are no exhibits as such, the museum takes a 'living history' approach, inviting visitors to follow its Historical Experience (you've got to do this otherwise you'll only have access to the courtyard and the shop!)
It began down in the chilly basement: the location of the Craven Street bones (thought to be the remnants of an 18th-century anatomy school). Here we were shown a short film about Franklin's life, although Georgian gremlins meant that the sound cut out a few seconds in, and because the Experience runs on a tight schedule, we couldn't get in re-started. While we were debating with the other visitors what to do, a woman burst through the door in period costume, introduced herself as Polly, and led us through into the next room...
'Polly' works to a script which is cleverly interleaved with sound effects and recorded speech (it really felt like going back in time, following this woman down a dark corridor, a babble of voices coming from behind the door). The blank walls are used to project imagery and quotations from Franklin's works (Peter Coyote is the voice of Franklin while Imelda Staunton is Margaret Stevenson). It's very effective, though it goes at quite a pace. You can see Franklin's writing table in the picture above, and below is the balcony.
It seems that Franklin took 'air baths' in his room every day. He said: 'I rise early almost every morning and sit in my chamber, without any clothes whatever, half an hour or an hour, according to the season, either reading or writing.' He apparently sat naked in front of the open windows of his second-floor parlour (above). Imagine what the neighbours made of it! See below for a short tour of the room I was just talking about.
After the essential browse in the shop afterwards I picked up a curious book called Benjamin Franklin Book of Recipes by Hilaire Dubourcq which combines recipes of the day with dishes of Franklin's invention and quotes from his writings. There's some entertaining stuff about his vegetarianism, among other things. Describing his decision to eat fish again, he explained: 'but when this [fish] came hot out of the frying-pan, it smelt admirably well. I balan'd some time between Principle and Inclination; till I recollected, that when Fish were opened, I saw smaller Fish taken out of their Stomachs. Then thought I, if you eat one another, I don't see why we mayn't eat you. So I din't upon Cod very heartily... So convenient a thing it is to be a reasonable creature, since it enables one to find or make a Reason for every thing one has a Mind to do'.
I leave you with the recipe for Franklin's Hot Flannel:
1 large jigger of gin 1 pint of warmed ale 3oz of sugar 1 pinch of nutmeg
Add gin to the warmed ale. Stir in sugar and nutmeg. Serve.
I live in the English cathedral city of Lichfield, which, despite having a population of fewer than 5,000 during the Georgian period, was home to many important artists and intellectuals including Samuel Johnson, David Garrick and Erasmus Darwin. I generally blog about the short 18th century (1715-1789), feisty Georgian ladies and Lichfield's 18th-century heritage. If you have any comments, feel free to email me at woffington [at] gmail [dot] com.
Virtually forgotten today, Margaret Woffington (also known as Peg or Peggy) would rise from humble origins to become one of Georgian London’s most famous actresses, sharing the stage with the likes of David Garrick and excelling in so-called ‘breeches roles’. Born around the year 1720 in Dublin, her childhood years were marred by the death of her father, which plunged her family into poverty. Having reputedly sold watercress barefoot in the streets of the Irish capital, she was soon talent-spotted by a tumbler known as Violante, who staged populist entertainments in booths around the city. Violante had a troupe of child actors called the Liliputians, and before long Woffington was making her debut as Polly Peachum in their version of The Beggar’s Opera. Moving to London, she gained plaudits for both her outstanding beauty and her talent – particularly in comedy – appearing at both Covent Garden and Drury Lane. Known for her quick wit and no-nonsense attitude, she had high-profile affairs with Garrick, Lord Darnley and Charles Hanbury Williams; she was also a generous benefactor, supporting her elderly mother and may even have endowed some almshouses in Teddington, where she had settled at the height of her success. She died, unmarried, in 1760, having suffered a long wasting illness, and is buried in Teddington's parish church of St Mary’s.
Step into the past...
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